Hiroko Masuike/The New York Times
By GINIA BELLAFANTE
Not too long ago, I witnessed a child, about two months shy of 3, welcome the return of some furniture to his family’s apartment with the enthusiastic declaration “Ottoman is back!” The child understood that the stout cylindrical object from which he liked to jump had a name and that its absence had been caused by a visit to someone called “an upholsterer.” The upholsterer, he realized, was responsible for converting the ottoman from one color or texture to another. Here was a child whose mother had prepared him, at the very least, for a future of reading World of Interiors.
Though conceivably much more as well. Despite the Manhattan parody to which a scene like this so easily gives rise, it is difficult to overstate the advantages arrogated to a child whose parent proceeds in a near constant mode of annotation. Reflexively, the affluent, ambitious parent is always talking, pointing out, explaining: Mommy is looking for her laptop; let’s put on your rain boots; that’s a pigeon, a sand dune, skyscraper, a pomegranate. The child, in essence, exists in continuous receipt of dictation.